Jack Elliot, record producer, Leith, Edinburgh

Jack.

When I go the way all flesh goes, I hope it can be said that, on reflection, most people did their best work when they worked with Jack Elliot.

I mean, I take this stuff seriously. This is not “come in late, point some mics, ok, here’s your files”. No. I am a samurai with a U87. Sometimes it’s life and death stuff in here. Poetry written with a dash of blood.

I have been in bands all my life. I know what it feels like to hand somebody your song and then your money on the same afternoon.

The least relevant fact about me is the most useful one. I spent a decade in law and accountancy before this. Some musicians find this a red flag, others appreciate the transferable skills when the project finishes on time, within budget, with no logistical friction, clear communication and the small promises kept.

The more relevant facts are everyday and necessary: bass trombone in a Jedforest brass band as a boy. Bass guitar in high school, school shows, gigs in community centres and church halls, raiding CD collections. Rehearsal rooms and the shed all through uni. Countless gigs. Opening the studio. Touring the UK, the US and Europe a bunch of times. Session work. Slow Karma.

Jack Elliot in the control room at Lost Oscillation
Jack Elliot playing bass live

Tell me what you are making

I will tell you honestly whether I am the right person to help you make it.

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